The Photography Show Presented by AIPAD

April 23 – 27, 2025
Park Avenue Armory, 643 Park Ave, New York, NY 10065
Booth B04

The photography show presented by aipad. April 23-27, booth b04

Opening April 23, 2025 is the 45th edition of The Photography Show presented by the Association of International Photography Art Dealers (AIPAD) at the Park Avenue Armory in New York City. The Photography Show is the longest running and foremost commercial exhibition dedicated to the photographic medium.

In our booth, we will are excited to share new work by Rashod Taylor, Douglas Miles (above photo), Lynn Stern, Louviere+Vanessa, as well as hand-painted gelatin silver prints by Brigitte Carnochan and vintage platinum prints by Laura Gilpin.

AIPAD Talks Presents ‘Abstract as a Verb’: Lynn Stern in Conversation with Phil Taylor

Monday, April 7, 2025
11am MST

REGISTER HERE FOR THE FREE ONLINE ZOOM EVENT

This conversation will range across the full-breadth of Lynn Stern’s work, tracing connections among recent abstractions as well as early work including landscapes and still lifes. Taylor and Stern will discuss the ways in which her early landscapes and interiors may be said to depict things, but the depictions are highly abstracted: pared down and devoid of details, they create a feeling of light, space, and movement. These qualities constitute the subject of Stern’s ongoing abstractions incorporating a transparent scrim. Consideration of a selection of important historical works from the collection of the George Eastman Museum will enrich and expand the conversation.

Phil Taylor is Associate Curator in the Department of Photography at the George Eastman Museum in Rochester, New York. He joined the museum in 2022 in a newly created New York City-based curatorial position. At the Eastman Museum he has organized Liz Deschenes: Frames per Second (Silent) (2025); Scene at Eastman: Stanley Wolukau-Wanambwa (2024); Life with Photographs: 75 Years of the Eastman Museum (2024), with colleagues in the Department of Photography; New Directions: Recent Acquisitions (2024), with Louis Chavez; and Gregory Halpern: 19 winters / 7 springs (2023). Previously, Taylor was a curatorial assistant at the Museum of Modern Art, where he assisted Roxana Marcoci on the major survey Wolfgang Tillmans: To look without fear (2022), and co-edited Wolfgang Tillmans: A Reader (2021). At MoMA, he organized or co-organized collection exhibitions including Machines, Mannequins, and Monsters (2019) and A Modern Media World (2020). With Antawan I. Byrd and Leslie M. Wilson, he co-organized panels devoted to photography and Africa at the 2024 conferences of the College Art Association and the Arts Council of the African Studies Association.

Lynn Stern is a New York-based photographer who works with black-and-white film and indirect, natural light. Her work has been exhibited in numerous exhibitions in the United States and Europe, and is in public collections such as the Brooklyn Museum of Art; the Herbert F. Johnson Museum, Cornell University; the Los Angeles County Museum of Art; the Museum of fine Arts, Houston; the Portland Art Museum (OR); the Victoria and Albert Museum; the Whitney Museum of American Art; and the Yale University Art Gallery, among others.

Six monographs of Stern’s work have been published: Skull (New York: Thames & Hudson, 2017); Frozen Mystery: Lynn Stern Photographs 1978-2008 (Fundación Cristóbal Gabarrón / Center for Creative Photography: 2009); Veiled Still Lifes (exhibition catalogue, 2006); Animus (Tucson: Nazraeli Press, 2000); Dispossession (New York: Aperture, 1995), “Highly Commended Book,” 1995 Ernst Haas Awards; and Unveilings (New York: Hudson Hills Press, 1988).

Stern was co-editor of Photographic INsight from 1990-1993. She was the organizer and moderator of a two-evening symposium held at New York University in 1991 titled “Examining Postmodernism: Images/Premises” and in 2016 moderated a discussion titled “Perceptual/Conceptual: How Does Art Nourish Us?” in New York.

The Lynn Stern Archive is located at the Center for Creative Photography, Tucson.

A white background with three empty bottles and two plates.

Register for the free online Zoom event here.

Luis Gonzalez Palma is among the most recognizable Latin American photographers. The early work he is canonized for address the difficult past of his birth country of Guatemala and its people. This history of engagement spans topics from the colonial plight of the Mayan people to the legacy of the civil war and “the disappeared.” González Palma employs the intimacy of portraiture, weight of the gaze, and qualities of chosen materials to drive meaning in his work. But this is only the beginning.

Möbius is a diverse and open-ended series, which began in 2013. The artist embraces, destroys and rebuilds upon structures he built up for himself over 40 years, beginning with his own iconic work. Luis González Palma has been celebrated for symbolism, portraiture, and photography. To reduce him to these realms is to underestimate his profound dialectic. To break away from the confines of his own past, through Möbius González Palma seeks to reinvent and renew his vision and its perception by others.

A woman and man sitting on the ground in front of a bench.

While visiting Paris Photo this past November, we were thrilled to be able to meet with Coco and gather some new inventory for our gallery! We won’t be holding a formal reception for this exhibition so please visit us anytime during gallery hours 11-5pm Tuesday – Saturday to view the exhibition! Today, March 14, we are open 11-4pm!

French artist Coco Fronsac paints non-European masks onto Western vernacular photographs from the early 20th Century. A dichotomy is developed between the early forms from the continents of Africa, Oceania, America, and Asia, and the standardized nature of photographic portraits as they occurred a century ago. These surreal images plunge us into a dreamlike, comical world, contrasting ritual and tradition, to  exploit the unexpected juxtapositions with startling effect.  For the artist, the portraits seek to bring a commonality to the human experience by representing the family relationship and different stages of development for a Western person like herself (moving from birth, to communion, military service, marriage, etc.) in context with non-Western rituals she respects.’

Coco Fronsac plays with the viewers’ vision of time, to better project themselves into a new, fluctuating, living, subjective reality. The vernacular photographs on which Fronsac works themselves go back in time.  The paintings she mixes over the photographs typically go back to indigenous cultures she admires.  With the combination, she imbues a contemporary approach to both subjects, bringing a new portrayal of humanity’s present position.

 

VIEW ALL OF COCO FRONSAC’S WORK HERE.

DOWNLOAD THE FULL PRESS RELEASE HERE.

A woman and man sitting on the ground in front of a bench.

Obscura Gallery presents IAN MARKUS: Fragments of the Frontier, a photographic exploration of the fading culture of ranching in Montana. With imagery created from a 4 x 5†film camera, Ian composites two or more negatives in the darkroom to create ethereal, large-format gelatin silver prints. The resulting ghostly images give a visceral interpretation of the fading cowboy culture that Ian has encountered in the contemporary ranches of Montana.

Santa Fean Ian Markus is the son of the late Obscura Gallery photographer Kurt Markus, who had a long storied career including photographing cowboy culture, and publishing three cowboy monographs since the 1980s. Ian has witnessed this subject matter since he was a young boy accompanying his father on photographic expeditions in the West and assisting Kurt for many long hours in the darkroom. This work provides an insightful perspective into the current state of ranching, showing the juxtaposition of a practice that is facing numerous challenges in our contemporary climate.

VIEW ALL THE WORKS IN THE EXHIBITION HERE.

DOWNLOAD THE FULL PRESS RELEASE HERE.

Collaboration with Ski Santa Fe 2024-25 ski season

#SKIBUENO contest announcement and instructions.


A woman and man sitting on the ground in front of a bench.

We are so excited to be collaborating with our local ski basin, Ski Santa Fe this season! Here’s the deal:

1. Take a photo of your winter experience at Ski Santa Fe.

2. Post it to Instagram including hashtag #skibueno and tag @skisantafe (be sure to make your profile public so we can see it!)

3. We’ll choose one image per week to then culminate into a photo exhibition held at La Casa Lodge on the ski basin at the end of the season on April 4, 2025. We’ll then choose one ‘best-in-show’ to receive a 2025-2026 ski pass as the winner. Prints are sponsored by Rush Creek Editions in Santa Fe. Juried by Obscura Gallery.

Get to it!
#SkiBueno #SkiSantaFe #RushCreekEditions #ObscuraGallery #NMTrue

A woman and man sitting on the ground in front of a bench.

 

Obscura Gallery presents our 2024 Holiday exhibition of small, photo-based works by gallery and guest artists including

Angie Brockey, Tulsa, OK
Brigitte Carnochan,Palo Alto, CA
Sam Elkind, Santa Fe, NM
Nicola Hackl-Haslinger,Austria
Max Kellenberger,San Francisco, CA
Louviere+Vanessa, New Orleans, LA
Jennifer Schlesinger, Santa Fe, NM
Caitlyn Soldan, Santa Fe, NM
Eddie Soloway,Santa Fe, NM
and more!

We will host a Holiday open house reception on Saturday, November 30, 2024 from 1-5pm with many of the artists present.

VIEW ALL THE WORKS IN THE EXHIBITION HERE.

DOWNLOAD THE FULL PRESS RELEASE HERE.

Major institutions acquire Rashod Taylor’s work

Child laying underneath a makeshift fort.


It has been a great 2024 year for Rashod Taylor! We landed his work in three institutions this year including the National Museum of African American History and Culture at the Smithsonian Institution. It was eight years ago that the museum opened its doors in Washington, D.C, where the public can learn about the richness and diversity of the African American experience, what it means to their lives, and how it helped us shape this nation.

A woman and man sitting on the ground in front of a bench.

 

In addition, we were also thrilled to place Rashod’s work with the Nelson-Atkins Museum of Art in Kansas City, Missouri and the Library of Congress, Prints and Photographs Division in Washington D.C., both whom acquired work from the My America and the Little Black Boy series, all of which we exhibited at our gallery and the AIPAD fair over the past several years. Congratulations to Rashod and his poignant and beautiful work on this major milestone!

 

A woman and man sitting on the ground in front of a bench.

A woman and man sitting on the ground in front of a bench.

Obscura Gallery presents Norman Mauskopf: Descendants, a photographic exhibition of rare and vintage, black and white gelatin silver prints that were made by the photographer for the publication by the same name, published by Twin Palms in 2010. The prints in the exhibition include both published and unpublished images made for the book, which focuses on the Hispanic peoples and cultures of Northern New Mexico. Many of the prints were included in the application for the very first W. Eugene Smith Fellowship, which Mauskopf was then awarded in 2002. The book is out of print and Norman will be signing and selling his remaining copies at 4pm on Friday September 13; followed by the reception with the artist from 5-7pm.

CLICK HERE TO DOWNLOAD THE FULL PRESS RELEASE.

CLICK HERE TO VIEW ALL THE WORKS IN THE EXHIBITION.

 

A woman and man sitting on the ground in front of a bench.

Join us this Friday from 5-7pm during the annual nationally acclaimed Santa Fe Indian Market weekend, for the opening reception of Parallel Playground, a collaborative photo-based exhibition with Obscura Gallery Apache artist Douglas Miles and New York City guest artist Al Díaz. Artist Douglas Miles (San Carlos Apache-Akimel O’odham) creates artistic work rooted in Apache history and deeply engaged with the world of contemporary pop culture. Al Díaz is an American urban artist best known for being among the first generation of graffiti writers in New York City and for co-creating the graffiti campaign SAMO© with Jean-Michel Basquiat in 1978. Each of these artists combines words, photographs, and mixed media in their art work, and their unique styles intersect with their deep passion for social justice within their own communities.

Both artists will be in attendance at the reception on Friday, August 16 from 5-7pm

DOWNLOAD THE FULL PRESS RELEASE HERE.

VIEW ALL THE WORKS IN THE EXHIBITION HERE.

BOOK SIGNING
This Is My Life I’m Talking About
By Danny Lyon

June 8, 2024
1pm at Obscura Gallery

A woman and man sitting on the ground in front of a bench.
PURCHASE BOOK HERE.

This Is My Life I’m Talking About (Damiani Books, 2024) by Danny Lyon is a picaresque memoir by the legendary photographer and filmmaker, whose work has left an indelible mark on the world of photography. The book recounts Lyon’s life of adventures and tragedies, from his groundbreaking documentation of the Civil Rights Movement, to his role in pioneering the New Journalism Movement and his intimate portrayals of subcultures.

This Is My Life I’m Talking About shares stories about Lyon’s family roots in Russia and his youth in New York City, his beautiful lifelong friendship with the American civil rights hero John Lewis, and his immersion into the Chicago Outlaws Motorcycle Club, upon which his famous photojournalist work The Bikeriders (1968) is based. Throughout, Lyon writes with tremendous feeling and humor, and the book features a selection of unpublished and unseen pictures from his extraordinary life.

A woman and man sitting on the ground in front of a bench.
“Cal, born in Canada as Arthur Dion, riding with Little Barbara. Cal, a former Hells Angel from San Bernadino, is my best friend in the Outlaws. In my Hyde Park apartment, he narrated many of the stories that became the text of the book. In the film Cal is played by Boyd Holbrook. A housepainter, Cal fell off a ladder and died in the 1980s.†© Photograph Danny Lyon.

A woman and man sitting on the ground in front of a bench.
“SNCC Chairman John Lewis speaking in Mississippi, 1963. At that time I shared an apartment in Atlanta with John and Sam Shirah.†© Photograph Danny Lyon.

In addition to new memoir Danny Lyon will also be signing books for his book, The Bikeriders (Aperture 2014), first published in 1968 and inspired the feature-length film by Jeff Nichols of the same name debuting this June. The Bikeriders explores firsthand the stories and personalities of the Chicago Outlaws Motorcycle Club. This journal-size volume features original black-and-white photographs and transcribed interviews by Lyon, made from 1963 to 1967, when he was a member of the Outlaws gang. Authentic, personal, and uncompromising, Lyon’s depiction of individuals on the outskirts of society offers a gritty yet humane perspective that subverts more commercialized treatments of Americana. Akin to the documentary style of 1960s-era New Journalism made famous by writers such as Hunter S. Thompson, Joan Didion, and Tom Wolfe, Lyon’s photography is saturation reporting at its finest. The Bikeriders is a touchstone publication of 1960s counterculture, crucially defining the vision of the outlaw biker as found in Easy Rider and countless other movies and photobooks.

A woman and man sitting on the ground in front of a bench.
PURCHASE BOOK HERE.

About the Author
Danny Lyon was born in Brooklyn, New York, in 1942 and raised in Queens. As a student at the University of Chicago he joined the civil rights movement, becoming the first staff photographer for the Student Non-Violent Coordinating Committee. He is a photojournalist, writer, and filmmaker. His non-fiction books include The Bikeriders, The Destruction of Lower Manhattan, Conversations with the Dead, Memories of the Southern Civil Rights Movement, Like a Thief’s Dream and American Blood. He was awarded a Guggenheim Fellowship in photography and later in filmmaking. In 1990 he received a Rockefeller Fellowship in filmmaking and in 2011 the Missouri Honor Medal for Distinguished Service in Journalism. In 2016 he had a major retrospective (Message to the Future) at the Fine Arts Museums of San Francisco and the Whitney Museum of American Art in New York. In 2023 his exhibition Danny Lyon: Journey West was at the Albuquerque Museum. A feature film of The Bikeriders, directed by acclaimed filmmaker Jeff Nichols and starring Austin Butler, Jody Comer, and Tom Hardy, is due for U.S, release in June 2024.

VIEW DANNY LYON’S PHOTOGRAPHS HERE.

 

 

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