Black and white bird portraits exhibition announcement.


A woman and man sitting on the ground in front of a bench.

 

Obscura Gallery is thrilled to welcome Debbie Fleming Caffery back to Santa Fe for a Summer solo exhibition, Portraits of Birds, a beloved project Debbie has undertaken most of her career. At a young age growing up on the Bayou Teche in Louisiana, Debbie was inspired by her grandfather, who raised doves, pigeons, and chickens and took her on day trips to visit wild birds. Throughout Debbie’s career, she continued her passion for these creatures, photographing birds in many varied settings:  living wild in Louisiana, freed from animal markets in Mexico, and most recently rehabilitated as Avian Ambassadors in New Mexico. Debbie brings the same sensitivity into this stunning collection of black and white gelatin silver portraits of birds as she is known for when photographing people of various cultures.

VIEW THE VIRTUAL EXHIBITION HERE.

A woman and man sitting on the ground in front of a bench.

The artist reception takes place on Friday, July 7 from 5-7pm.

 

DOWNLOAD THE FULL PRESS RELEASE HERE.

VIEW THE ENTIRE BIRD PORTFOLIO HERE.

 

Exhibition poster featuring Alfred Stieglitz's work.


A woman and man sitting on the ground in front of a bench.

A select survey of photogravures representing over a century, with prints dating from as early as 1897 to contemporary prints made in 2023. The earliest print in this exhibition is by Alfred Stieglitz from his 1897 portfolio Picturesque Bits of New York and Other Studies created from a steel plate.  The most recent work included in the exhibition are 2023 abstract prints of New Mexico and Patagonia created from polymer plates by Santa Fean Eddie Soloway.

The photogravure is an intaglio print process that, in the early development of photography, was invented to produce high-quality ink reproductions of photographs, featuring deep shadows and luminous highlights. Early photographic pioneers Joseph Nicéphore Niepce and William Henry Fox Talbot invented the process in the 1840s, and then it was perfected in 1879 by Karl V. KlíÄ. Traditionally, photogravures were photographs that were etched into a metal plate using light sensitive carbon tissue. The plate was then inked and run through a printing press to produce a positive ink print known for its distinctive, luminous tonal qualities. With most contemporary photogravures, the metal plates have been replaced with polymer plates and other less toxic chemicals are used in the process.

 

DOWNLOAD THE FULL PRESS RELEASE HERE.

VIEW THE WORKS IN THE EXHIBITION HERE.

Photography show event details and booth information.


A woman and man sitting on the ground in front of a bench.

Visit us at BOOTH #113!

Obscura Gallery is devoting the entire 2023 AIPAD booth to a survey of the late Kurt Markus’s storied photographic career. Kurt Markus was “celebrated as a fine artist and a chronicler of the American West†as Alex Williams wrote in The New York Times when Markus passed away last year. Kurt is perhaps best known for his portraits of cowboys in the American West and also enjoyed a distinguished career as one of the world’s preeminent fashion photographers. Over the course of a decade, Obscura Gallery owner Jennifer Schlesinger curated three solo exhibitions of Kurt Markus’s work including The Fashion Years retrospective, Monument Valley 2002-2017, and Dunes, Namibia 2002-2008, as well as a Cowboys in the West exhibition, all of which will be included in Obscura Gallery’s booth at The Photography Show presented by AIPAD. Kurt’s latest book published posthumously, Christy, chronicles the travels he and model Christy Turlington made over the course of a 25 year-long friendship, and the book and prints will be available for sale in the AIPAD booth as well.

VIEW OUR INVENTORY OF KURT MARKUS’S WORK HERE.

PURCHASE AIPAD TICKETS HERE!

Photographic exhibition featuring winter-themed artworks.


A woman and man sitting on the ground in front of a bench.


Still Beauty
is a three-person photographic exhibition representing the beauty found within the cold, quiet, short days of winter. The exhibition includes two gallery artists, California-based Brigitte Carnochan and New Jersey-based Michael Massaia, as well as guest artist Jim Bailey, from New Mexico.

Brigitte Carnochan’s series Still Beauty, from which the show derives its title, includes luminous color still lifes that she creates from plants she grows in her garden. Michael Massaia captures the images for his large format gelatin silver prints during quiet hours of the night in Central Park, New York City.  In his printing, he adds subtle color through meticulous use of special darkroom toning techniques. Jim Bailey combines the extremes of climbing and ski mountaineering in Norway, France and the United States with photographic artistry, contrasting human interaction with other-worldly landscapes.

The opening reception takes place on Friday, January 27, 2023 from 5-7pm and the show continues through April 1, 2023. Brigitte Carnochan and Jim Bailey will be in attendance at the reception.

VIEW ALL THE WORK IN THE EXHIBITION HERE.

VIEW THE FULL PRESS RELEASE HERE.

"Exhibition announcement for ONE-OF-A-KIND II"


A woman and man sitting on the ground in front of a bench.


EXHIBITION EXTENDED THROUGH JANUARY 14, 2023

Obscura Gallery announces our second annual Winter Holiday exhibition, One-of-a-Kind II, a group show of unique photo-based artworks found exclusively at our gallery. The exhibition consists of six contemporary artists producing one-of-a-kind artworks through various photo-based processes. This year’s exhibit features William Albert Allard (U.S), Angie Brockey (U.S),  Coco Fronsac (France), Lori Henson (U.S and Mexico), Erin McGean (Canada), and Robert Stivers (U.S).  The exhibition reception takes place on Friday, November 25, from 5-7pm.

In the 21st Century we are most familiar with photography as a medium enabling multiple prints of the same image.  Yet many of the photographic processes that were used in the 19th and 20th Century yielded one-of-a-kind prints.  In some cases, the processes made a singular print for each exposure; in other cases, the treatment of prints during production led to singular images.   Included in this exhibition are 1980’s vintage Polaroid positive prints, contemporary tintypes, early 20th Century gelatin silver prints with contemporary mixed media, photo collage, encaustic, and  hand-applied surface texture to gelatin silver prints.

VIEW THE WORKS IN THE EXHIBITION HERE.

DOWNLOAD THE FULL PRESS RELEASE HERE.

 

A woman and man sitting on the ground in front of a bench.

Rania Matar prints from SHE series acquired by Hood Museum of Art at Dartmouth College

Woman seated in an empty theater.


We could not be more thrilled and honored to have placed four of Rania Matar’s pieces from the SHE series into the Hood Museum of Art at Dartmouth College. Thank you to all who made this possible and congratulations to Rania Matar!

A woman and man sitting on the ground in front of a bench.
Rhea S., Piccadilly Theater, Beirut, Lebanon, 2021

A woman and man sitting on the ground in front of a bench.
Kefa, Gambier, Ohio, 2018

A woman and man sitting on the ground in front of a bench.Alae (with the mirror), Beirut Lebanon, 2020

A woman and man sitting on the ground in front of a bench.Alae, Khyiam, Lebanon 2019

Child portrait against an American flag backdrop.


A woman and man sitting on the ground in front of a bench.

Obscura Gallery is excited to present a solo exhibition by fine art portrait photographer Rashod Taylor, which includes his two poignant and sensitive projects, Little Black Boy and My America. Through the use of wet-darkroom printing methods including the 19th Century wet-plate collodion process as well as the enlarging process on gelatin silver paper, the artist uses portraiture to express themes of family, culture, legacy, and the black experience.

RECEPTION WITH THE ARTIST:

Friday, September 23, 2022
4pm – Gallery walk-thru with the artist
5-7pm – Reception with the artist
Please join us in welcoming Rashod Taylor to Santa Fe for the first time and let’s celebrate his solo exhibition!

The exhibition is on view September 23 through November 20, 2022.


ONLINE INTERVIEW WITH THE ARTIST:


Online Zoom interview with Rashod Taylor – learn more about the work in his solo exhibition, My America.

VIEW THE WORKS IN THE EXHIBITION HERE.

DOWNLOAD THE FULL PRESS RELEASE HERE.

Feature article on Lou Peralta: Deconstructed Portraits in the Pasatiempo

Artistic magazine cover featuring a stylized face.


A woman and man sitting on the ground in front of a bench.

Lou Peralta has been a portrait photographer for most of her life, first in the Mexico City studio her great-grandfather founded in 1910, then, only five years ago, as a fine arts photographer investigating the form — all in service of her search for the true meaning of a portrait and the Mexican identity.

“I have seen many artists do various types of weaving of photographs, or deconstruct photographs,†says Jennifer Schlesinger, owner/director of Obscura Gallery, which hosts the photographer’s first Santa Fe show, “but Lou’s work stood out to me in that she was using her own cultural community as models and focusing on the person themselves to dig deeper into their cultural Mexican heritage.â€

On the cover, Lou Peralta, Disassemble #48 (2020),  23 x 22″, archival pigment print with cinnamon and wood strips, edition of 8

Book covers for "Extinction Party" event.


A woman and man sitting on the ground in front of a bench.

Obscura Gallery is excited to present a community book signing event for Taos, New Mexico artist Jonathan Blaustein with his photographic book, Extinction Party (Yoffy Press). This photographic book explores humanity’s over-consumption and its impact on the planet. In an unprecedented time of the Covid-19 pandemic, Extinction Party was (coincidentally and appropriately) released in March 2020 and named one of BuzzFeed News’ best books of 2020. Obscura Gallery held an intimate exhibition during the 2020 book launch, however we are excited to re-present this book again to the public, in post-pandemic times, to give it the honor it deserves. With the photo essay – the images and titles – and the forward essay by Kevin Kwan, as well as the metaphorical story in between, the book could not be a more timely commentary on the current state of our Earth and humanity.

**We invite those who did not have a chance to get their book signed during the pandemic to please bring it to the event to have the artist sign their copy. Books will be available for purchase and signing as well. In addition we will host a raffle offering up a signed copy of the book and special give-aways.